Maraming beses na niya itong nakita noon. Mukhang wala pa itong dalawampu, may maliit na pangangatawan at nakasalaming gaya ni Anne. Talagang namamana pala iyon ng pamilya, naisip niya na natutuwa. Nagulat siyang naroon si Anne.
And Hilda Koronel is at her most radiant. It might just be the classiest kilig movie in our cinema. For a comprehensive essay on kilig, check out this piece from Ateneo.
Yet this movie is also about adultery-the very stuff of Filipino melodrama-in which theme Hilda and Boyet would later up the ante in their work together and separately. Here are 10 highlights of this much-admired film. Hilda is a sight to behold in Mike de Leon's love story.
Hilda Koronel is a vision. We start off with the most striking feature of this film-its lead actress. Hilda Koronel, who grew up before the public eye, had blossomed into full femininity by the time of this picture, leaving behind the neneng persona of her teen years which Lino Brocka tapped so well in movies like Stardoom.
He would also utilize Hilda's maturity to great effect in his social-realist dramas like Insiang. The slum girl Insiang would find her glamorous counterpart, Ana, in this picture, and, like Brocka, Mike de Leon had that special talent of illuminating his lovely actresses.
If framing Hilda were the only quality of this film, it would still be a classic. Is there any better mirror of the Filipina than our cinema? The solid supporting cast Like any rom-com which this film is, except that the comedy part is too subtleKMKM relies as much on its vibrant supporting ensemble as on its leads to pull off its charm.
Moody Diaz stands out as a Jiminy Cricket to Boyet de Leon's Joey, the overstaying college student whom he portrays adeptly as a brooding, sensitive youth. Actress and screenwriter Bibeth Orteza is a delightful comedienne, and she and Danny Javier and BoboyGarovillo, as Joey's barkada, bring the right comic relief to Joey's developing love story with Ana.
The elegant Laurice Guillen, as Ana's cousin, Cecile, comes across as an alternative Ana, but here she is full of jest toward Joey, teasing him for his lack of money and other things. Setting as character in the City of Pines 3. Baguio City as romantic setting The other star of this film, besides the lead actors, is the City of Pines itself-before its transformation today into something else that eludes appreciation here and there.
The Baguio captured in this film is a lost world, one that reminded Ingrid Bergman of her native Sweden when she visited the Philippines in the '60s. The production made an inspired choice in this location as the setting of Joey and Ana's romance. KMKM is a fine example of film as a chronicle of a certain time.
Cineastes who associate Mike de Leon with the violence of Batch'81 remain baffled by this kilig moment of Joey's phone call to Ana. Love at first sight, and Joey's phone call UP Baguio is the campus setting in this film, and Joey's encounter with Ana in the auditorium and later in the parking lot and their introduction by mutual friends establishes this movie's kilig character check out this video.
The charm of KMKM would be replicated in another luminous pop romance also starring Christopher de Leon-Hindi Nahahati ang Langit, a box-office film which, unfortunately, isn't officially credited to de Leon because of disagreements with the final cut.
Joey manages to get Ana's number and their phone conversation at 9 minutes in said video is a marvel of courtship at play. Briccio Santos as Ana's husband, Freddie 5. Ana's back story Ana may be a goddess in Joey's eyes, but she's as much a mortal as anyone else, coping with her own frustrations-in this case, her increasing detachment from a husband played by Briccio Santos, now the chairman of the Film Development Council of the Philippines who is always tied up with work, and who has turned out to be quite a boor.
Freddie, as this back story of his marriage to Ana unfolds, is also a chauvinist, yet a complete charmer when he's in his element-in a way that the angst-ridden Joey could never equal. Even Freddie's quarrels with Ana beginning at 4: On the other hand, Joey's personal problems are presented with the usual tantrums we are all prone to, particularly his argument over the telephone with his dad about his overstaying in school.
Why did Ana fall for this lesser man? Why, for that matter, do people make similar choices? Love on a lazy afternoon. Plus walking in the rain This is basically a back-to-back pair of two highlights from the film.kung mangarap ka nang matagal Download kung mangarap ka nang matagal or read online here in PDF or EPUB.
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Kung Mangarap Ka Ng Matagal. Progress Report Once you have written a successful proposal and have secured the resources to do a project, you are expected to update the client on the progress of that project. This updating is usually handled by progress reports, which can take many forms: memoranda, letters, short reports, formal reports, or presentations.
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Suring Basa Ng Paglilitis Ni Mang Serapio. Paglilitis ni Mang Serapio is a play written by Paul Dumol, currently an Economics professor at the University of Asia and the Pacific, during his high school years at Ateneo de Manila University.
This play has been staged by countless theatre organizations already, producing myriad of interpretations and dramatizations. Kung Mangarap Ka Nang Matagal (Kabanata Labingwalo) KUMATOK SA PINTO SI KWANG MENG kahit nakabukas ang pinto at nakikita.
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